On April 10, 2025, at 6:00 p.m., the Civic Museums of Pavia on the Castello Visconteo will reopen with a big, new set up on Orlando Furioso by Alik Cavaliere, curated by Francesca Porreca.
This massive-scale sculptural work is impressed by Ludovico Ariosto’s Renaissance epic. It’s prominently displayed on the museum entrance, inviting guests right into a world the place literature and sculpture intertwine.
Orlando Furioso by Alik Cavaliere: A Fusion of Literature and Sculpture
The imposing work (greater than 7 meters lengthy) will stay on mortgage to the Civic Museums for a very long time. The work offers tangible and scenographic life to Ludovico Ariosto’s poem with the irony and narrative talent.
Cavaliere’s Orlando Furioso captures the essence of Ariosto’s narrative via intricate types and dynamic compositions. The set up displays the tumultuous adventures of the poem’s characters, translating the literary fervor right into a tangible, visible expertise. This work exemplifies Cavaliere’s capability to merge storytelling with sculptural innovation, providing viewers a multidimensional interpretation of the traditional textual content.
Celebrating Cultural Heritage in a Historic Venue
The reopening of the Scuderie del Castello Visconteo marks a major second for Pavia’s cultural scene. By showcasing Cavaliere’s Orlando Furioso, the museum honors a pivotal literary work and reaffirms its dedication to celebrating Italian inventive heritage. The exhibition invitations guests to discover the intersections of historical past, literature, and modern artwork inside the storied partitions of the Castello Visconteo.
Cavaliere’s massive set up will change into a testimonial for the renovated areas of the Civic Museum, along with a pirogue from the 4th century BC: previous and current to embrace a cultural proposal by the Municipality of Pavia. It goals to boost the historical-artistic heritage and supply to younger individuals an interactive classroom, massive panels with reproductions of single-lancet, double-lancet, and four-lancet home windows on mirrored surfaces, an area with fashions of the citadel and a video on its historical past made by Karmachina.
Partaking the Neighborhood Via Artwork
At the side of the exhibition, the Musei Civici di Pavia has organized instructional actions centered round Cavaliere’s Orlando Furioso. These applications intention to deepen public engagement with the art work and its literary origins, fostering a dialogue between previous and current.
The exhibition is open to the general public. It affords a chance to expertise Cavaliere’s masterful interpretation of a literary traditional inside a historic setting.
For extra info please check with the official channels of the Musei Civici di Pavia.
Solely till September 10, nevertheless, will or not it’s potential to check it with the opposite massive set up by Cavaliere on Orlando Furioso current on the Alik Cavaliere Artwork Heart through De Amicis 17 in Milan (for opening hours, see the web site www.alikcavaliere.it.
About Alik Cavaliere
Alik Cavaliere (1926–1998) was an Italian sculptor famend for his imaginative and unconventional strategy to artwork. Born in Rome to poet Alberto Cavaliere and Russian-Jewish sculptor Fanny Kaufmann, he spent his early years between Rome and Paris earlier than settling in Milan in 1938. There, he studied on the Brera Academy beneath notable artists like Francesco Messina, Giacomo Manzù, Achille Funi, and Marino Marini, finally succeeding Marini because the chair of sculpture in 1970.
Cavaliere’s work defied categorization, as he selected to not align with any particular artwork motion. As an alternative, he explored themes of life, freedom, nature, and historical past. His sculptures are crafted from various supplies, together with bronze, wooden, cloth and located objects. His installations have typically the type of intricate labyrinths. These invite viewers to interact in a private journey with no definitive perspective.
All through his profession, Cavaliere participated in a number of prestigious exhibitions, together with a number of appearances on the Venice Biennale, the place he had solo rooms in 1964 and 1972. His notable works embody “I processi dalle storie inglesi di W. Shakespeare” (1972) and “I giardini della memoria” (1988–1990). His legacy continues to affect modern artwork, along with his items housed in varied private and non-private collections.
The sequence of works on the theme of Orlando Furioso (1993-4), is at this time on the MART in Rovereto, and his final nice work, Grande Albero, unfinished, is within the cloister of the Conservatory of Milan.
