My work explores themes of area, notion, and the intersection of know-how and nature. I problem the exact, technological, and sometimes impassive depiction of digital actuality by embracing a quiet, minimalistic aesthetic of discount and subtraction. My work additionally blurs the road between rationality and emotion, making a dynamic interaction of geometric concord, disharmony, figuration, and abstraction.
A key facet of my apply is the fusion of woodcut printing with digital media. Reworking a picture into an summary binary code of optimistic and unfavorable area, meticulously carved by hand, introduces a stress between custom and know-how. In an period dominated by artificial visible filters and automatic notion, I exploit the identical digital methods in woodcut, but my last photographs stay analog—imperfect, tactile, and alive with the traces of workmanship.
I typically give attention to transient or undefined areas, comparable to Unorte, a sequence on man-made, interchangeable locations, or Wilderness, which interprets landscapes right into a digital language, resembling flickering screens. My newest undertaking, Arcadia, explores the idea of idealized, imagined landscapes and computer-generated photographs, inspecting how mathematical buildings and fragmentation can form notion. Every woodblock print includes repetitive, instinctive carving, cautious inking, hours of guide recurring urgent, and weeks of drying—making the method as significant as the ultimate picture.
