
Artwork
Emily Steer
Ithell Colquhoun, Dance of the 9 Opals , 1942. © Spire Healthcare, © Noise Abatement Society, © Samaritans. Courtesy of Tate.
In Ithell Colquhoun’s “Diagrams of Love,” (ca. 1939–42), nude {couples} are entangled in intimate poses and drenched in elegant colours. On this collection of work and drawings, she depicts the human physique surrounded by radiant vitality fields, impressed by alchemical traditions, kabbalah, and tantric imagery. “Diagrams of Love” sums up the British Surrealist artist’s imaginative and prescient of “intercourse magic,” a supply of inspiration all through her work.
The time period “intercourse magic” emerged within the early Twentieth century and was utilized by artists and theorists to explain sexual connection as a supply of magical or religious vitality. In right this moment’s artwork world, which continues to be fascinated by the occult, intercourse magic is having a second. Colquhoun, who is likely one of the most well-known artists related to intercourse magic, is the topic of a serious new present “Between Worlds” on the Tate Britain, via October 19. On the similar time, modern artists are taking new inspiration from the intersection of magical themes and sexual liberation.
Ithell Colquhoun, Diagrams of Love: The Chicken or the Egg? , circa 1940, Tate Archive, TGA 929/4/17/3. Photograph © Tate Pictures (Lucy Inexperienced). Courtesy of Tate.
Ithell Colquhoun, Scylla ( méditerranée ), 1938 Tate: Bought 1977 © Spire Healthcare, © Noise Abatement Society, © Samaritans. Courtesy of Tate.
What’s intercourse magic?
“For some, intercourse magic is about utilizing sexual practices to cost a magical end result or manifest a selected consequence,” mentioned Amy Hale, creator of Intercourse Magic: Ithell Colquhoun’s Diagrams of Love, the 2024 guide printed to coincide with the brand new Tate exhibition. “For others, it’s about communion with the divine via religious and intimate bodily reference to one other particular person. It’s a set of practices supposed to advertise religious elevation.” Hale famous that Colquhoun’s whole oeuvre demonstrates a perception that “erotic energies might be present in pure kinds reminiscent of caves, wells, bushes, and stones.” The artist’s 1942 portray Tree Anatomy, for instance, options huge sweeps of brown and amber paint round a central crevice, which represents each a hole trunk and, in typical Surrealist symbolism, a vulva.
Intercourse magic was extremely controversial within the early Twentieth century. “The concept that you would possibly use sexual practices for something aside from procreation is at all times going to be a problem for some,” mentioned Hale. “A number of the earliest iterations of intercourse magic and esoteric sexuality included the significance of making certain girls’s sexual pleasure and satisfaction, which was fairly revolutionary on the time.”
Rosaleen Norton, Bacchanal. Nonetheless from The Witch of Kings Cross courtesy of Sonia Bible and Edward Gill and Black Jelly Movies Pty Ltd.
Colquhoun’s contemporaries
Quite a few inventive girls had been practising intercourse magic concurrently Colquhoun, together with some who confronted imprisonment for his or her beliefs. Australian artist and occultist Rosaleen Norton was recognized in tabloid papers via the Nineteen Forties and ’50s as “the witch of Kings Cross.” She was arrested a number of occasions and had her work burned, although she continued to carry out spells that, she claimed, allowed her to entry the next state of consciousness. She additionally loved polyamorous sexual relationships via tantric rituals. Her work featured raucous entanglements of nude our bodies and hybrid creatures, conveying a sexual, religious drive that rejected the strict Christian tradition of her upbringing.
In Norton’s undated portray Bacchanal, a younger lady with surprising crimson hair, an historic crone, and a skeleton dance amongst a dense group of ghostly pale bare our bodies who seize each other’s flesh. They’re watched over by an enormous demon, referencing Bacchus, the Roman god of wine and ecstasy.
Monica Sjöö, God Giving Start, 1968 Museum Anna Nordlander © The Property of Monica Sjöö. Photograph: Krister Hägglund / Skellefteå museum. Courtesy Moderna Museet.
Nooka ShepherdGoblin Pulp And Goblin Dew, 2025. Courtesy of the artist and Sim Smith, London.
In recent times, there was rising curiosity in different radical artists from this era. Marjorie Cameron, an American artist, poet, and occultist who died in 1995, had the primary intensive survey of her work in 2014. She felt remoted by her upbringing in a small city, claiming she was captivated by girls who had been “thought-about delinquent for some motive or one other.” Cameron adopted Thelema, a religious motion arrange by the well-known occultist Aleister Crowley, which had a powerful affect on her artwork. She additionally practiced intercourse magic. In 1957, her exhibition at Los Angeles’s Feris Gallery was raided by police and closed on obscenity fees. The present included Peyote Imaginative and prescient (1955), an enthrallingly erotic picture filled with jagged strains impressed by creator Aldous Huxley’s spidery illustrations and Cameron’s personal sexually charged expertise taking the plant-derived drug peyote.
As open expressions of sexuality grew to become extra commonplace within the Nineteen Sixties, extra artists started to evoke the divine, magical potential of the feminine physique. For instance, Swedish artist Monica Sjöo’s provocative 1968 portray, God Giving Start, was banned from public view within the Seventies following strain from Christian teams. The radiant canvas—proven at Sjöo’s 2023 exhibition at Moderna Museet in Stockholm—depicts a nude lady, her face break up down the center by a darkish shadow, with a child’s head rising from her genitals. The piece conveys an ecstatic feminine creativity that must be celebrated as pure and divine, but is so usually shamed and suppressed.
Renate Bertlmann, Zärtliche Berührungen (Tender Touches), 1976/2009. Courtesy of the artist and Sim Smith, London.
Up to date artists exploring intercourse magic
Up to date artists proceed to discover the transcendent impression of intercourse and creativity via the feminine kind. American artist Loie Hollowell’s work, for example, make suggestive references to genitalia and breasts. She has famous the affect of religious and mystical traditions, particularly, neo-tantric portray and esoteric pioneers like Hilma af Klint. Hollowell’s items bridge the bodily experiences of the physique reminiscent of abortion, beginning, and breastfeeding, whereas additionally tapping into an intense female vitality. Stress in yellow-blue and mars violet (2022), for example, includes two easy spherical kinds that meet within the center, intersecting a vertical painted crease that’s suggestive—although not explicitly—of genitalia. “I needed folks to get sucked into the colour earlier than they realized what they had been really taking a look at,” the artist has mentioned of her earlier works.
A few of these artists hint their curiosity in intercourse magic again to Colquhoun. “I’ve at all times been actually fascinated about girls like Ithell who had been utterly dedicated to their follow,” mentioned Australian artist Emily Hunt, who just lately curated a bunch exhibition, “Dreamlandia,” at London gallery Sim Smith exploring the divine and female facet of Surrealism. Colquhoun’s 1970 work Oread is included. “That degree of devotion and combination of artist and magician is such a transgressive place,” mentioned Hunt. For Hunt, intercourse magic is intimately linked to the revelatory expertise of making artwork, communing with a drive higher than oneself. “Persons are so deeply scared of the time period ‘intercourse magic,’ considering it’s nearly BDSM and darkish, occult issues. However on the coronary heart of magic methods are these ecstatic states, which I believe even have loads to do with making artwork.”
Emily Hunt, Bliss Temple #3 (Steffi Grant & Kenneth Grant), 2025. Courtesy of the artist and Sim Smith, London.
Hunt’s sculptures, embellished in gold luster and fired in kaleidoscopic glazes, painting completely different well-known {couples} recognized for magic. Her small-scale clay sculpture Bliss Temple #3 (2025) exhibits late occultists Kenneth and Steffi Grant entangled in mattress, a big hand hovering over them, referencing the god of affection, Eros. Hunt is especially fascinated about lesser-known subcultural figures from historical past. One other work, Bliss Temple #2 (2025), is modelled on early Twentieth-century artist and occultist Moinia Mathers (sister of thinker Henri Bergson) together with her husband Samuel.
Whereas these {couples} are proven engaged in an erotic and magical pairing, Hunt is particularly drawn to Colquhoun’s divine union together with her inventive follow slightly than one other particular person. For “Dreamlandia,” Hunt chosen modern artists reminiscent of Renate Bertlmann, Kemi Onabulé and Nooka Shepherd. These girls artists present an analogous devotion to their follow, exploring the “revolutionary potential of surrealism within the palms of divine female energy,” Hunt famous. “We reside in a cynical, disenchanted society. Intercourse magic is provocative, but it surely’s about deep pleasure and belief.”