Paolo Santangelo: Sculptural Ceramics with Daring Geometry and Outsized Attraction
Born in Bari in 1990 and skilled in Milan at NABA and IED, Paolo Santangelo has earned recognition as “the artist of the circle.” His artistic journey blends the traditional ceramic traditions of Puglia with the daring experimentation of the Nineteen Fifties, ’70s, and ’80s. The end result? A signature model in modern ceramic design that feels sculptural, useful, and intensely trendy.
Geometric Id in Fashionable Ceramic Artwork
The hallmark of Santangelo’s ceramic work lies in his strict use of geometric shapes—spheres, cones, parallelepipeds, and rings—mixed with an intuitive play between micro and macro proportions. His collections Euclidea and Cartesiana mirror a relentless stress between formal readability and structural creativeness, developing three-dimensional volumes that defy typical axes of perspective.
A standout instance is the Tetra vase, characterised by a low central physique and 4 outsized rings that stretch outward, visually increasing the article’s presence. The interaction between the minimalist core and the exaggerated exterior options creates a visually hanging aesthetic that units Santangelo’s ceramics aside on the earth of collectible design.
Outsized Particulars as Visible Provocation
The outsized round parts in his items should not simply ornamental; moderately, they’re purposeful. For instance, whether or not performing as handles, frames, or purely sculptural additions, every daring ceramic element challenges spatial expectations. Particularly, works like Tetra or Synergy CF-5 illustrate this idea, because the rings disrupt the article’s silhouette, thereby remodeling a easy kind right into a dynamic, eye-catching sculpture.
Furthermore, this method offers his ceramics a pop-sculptural high quality. Consequently, the outsized parts invite interplay, stimulate curiosity, and blur the road between operate and kind. In the end, they don’t seem to be simply pots or pitchers; moderately, they’re modern artwork objects for the trendy dwelling.
Vivid Colours and Shiny Finishes
Santangelo’s use of shade additional emphasizes the geometry of every piece. His palette is vivid and infrequently saturated, alternating between shiny and matte finishes. The strategic use of strong shade blocks enhances distinction and helps outline the architectural readability of every kind.
This shade remedy doesn’t simply adorn the floor—it amplifies the structural rhythm and makes the geometry much more expressive.
Craftsmanship and Artistic Precision
Every object is handmade utilizing slip-casting methods mixed with meticulous hand-assembled parts. The outsized rings are produced individually and connected utilizing barbotine (liquid clay), adopted by a two-step firing course of that ensures each sturdiness and chromatic brilliance.
This artisanal method reinforces Santangelo’s philosophy: every ceramic piece is a one-of-a-kind design object that displays sluggish manufacturing, consideration to element, and artistic integrity.
The place Artwork Meets Performance
Paolo Santangelo’s creations exist on the wonderful line between useful design and sculptural artwork. Whether or not vases, pitchers, tableware, or candle holders, his works reinterpret sculptural strains. Outsized shapes, vibrant colours, and ideal geometry come collectively to raise the on a regular basis into one thing extraordinary.
His work invitations us to decelerate, observe, and convey inventive consciousness into the rituals of every day life.
Along with his distinctive fusion of conventional craftsmanship, geometric abstraction, and outsized ceramic options, Paolo Santangelo redefines the language of recent ceramics. Every of his creations is greater than an object—it’s a visible dialogue between area, kind, and performance.
In a design world saturated with developments, Santangelo provides one thing actually timeless: a return to important kinds expressed with boldness, wit, and poetic precision.
