What Offered at Artwork Basel Hong Kong 2025

The twelfth version of Artwork Basel Hong Kong wrapped up on Sunday, March thirtieth, following 5 buzzy days that drew enthusiastic crowds to the Hong Kong Conference and Exhibition Centre. The occasion featured 240 galleries from 42 international locations and welcomed a complete of 91,000 attendees throughout the course of the honest, properly above the 75,000 determine reported for final yr’s version.

This yr’s Hong Kong Artwork Week—which included further gala’s comparable to Supper Membership and a sequence of tentpole gross sales at main public sale homes—acquired underway at a cautious second for the town and its artwork market, a truth famous by these in attendance.

“Going into this yr’s Artwork Basel Hong Kong, there was positively a way of uncertainty,” native gallerist Pearl Lam instructed Artsy. “The previous few years have introduced shifts available in the market, and we weren’t positive how collectors, particularly those that have been extra cautious, would reply.” Nonetheless, Lam famous that the week provided a “reassuring signal that confidence is returning.”

“The robust gallery participation, institutional help, and severe engagement from collectors all level to Hong Kong reaffirming its place as an important artwork hub,” she added. “Whereas it’s not with out its challenges, the honest proved it’s an essential step in restoring momentum.”

This sentiment was evident in strong deal-making throughout the honest, notably by blue-chip galleries. Main the gross sales was a $3.5 million Yayoi Kusama work titled INFINITY-NETS [ORUPX] (2013), bought by David Zwirner (all costs and gross sales are listed in U.S. {dollars} until in any other case acknowledged). Whereas blue-chip exhibitors secured a number of seven-figure gross sales, the general tempo of transactions was extra measured, reflecting the temper of the area’s rising collector base.

“Basically, collectors in Asia are more and more more likely to conduct thorough analysis earlier than committing to a purchase order, because the collectors construct a higher understanding of the artwork market and worth making knowledgeable choices,” Angelle Siyang-Le, the director of Artwork Basel Hong Kong, instructed Artsy. “Whereas there are all the time robust gross sales on the outset, we additionally see guests who be a part of us on VIP day return a number of instances all through the week. Collectors from Hong Kong, mainland China, and throughout the Asia Pacific area aren’t simply involved in buying works—they wish to construct long-term relationships with galleries and develop a deeper understanding of the artists they encounter. It’s a nuanced strategy to accumulating, one which values schooling and connection.”

One other key improvement, famous Siyang-Lee, is the emergence of a brand new technology of collectors who “are typically open-minded as they discover totally different artists, particularly in relation to mediums—from digital and sculptural works to the extra ephemeral and unconventional.” This was evident within the reputation of Artwork Basel’s Discoveries part, which spotlights rising galleries and artists, in addition to in a sequence of standout cubicles throughout the honest that highlighted progressive names.

Additionally notable was the inaugural MGM Discoveries Artwork Prize, which was awarded to Shin Min and P21, the Seoul-based gallery that represents her. Min’s set up Ew! There’s hair within the meals! (2025) drew guests all through the honest. The artist and her gallery obtained a $50,000 money prize and the chance to exhibit in Macau.

Right here, we spherical up the important thing gross sales reported by galleries at Artwork Basel Hong Kong 2025.

Apart from the Kusama sale, David Zwirner’s main reported sale was Michaël Borremans’s Bob (2025), which bought for $1.6 million to the Hall Basis in Shenzhen, China. Different reported gross sales included:

• Elizabeth Peyton’s Joyful Collectively (WKW) (2022–24) for $900,000.
• Two work by Mamma Andersson for $420,000 and $200,000, respectively.
• A piece by Oscar Murillo for $400,000.
• A piece by Rose Wylie for $400,000.
• A piece by Portia Zvavahera for $380,000.
• A piece by Lisa Yuskavage for $300,000.
• A piece by Katherine Bernhardt for $220,000.
• A piece by Emma McIntyre for $80,000.

Hauser & Wirth’s reported gross sales had been led by Louise Bourgeois’s Cove (1988/2010), which bought for $2 million. Different reported gross sales included:

• Zeng Fanzhi’s Untitled (2024) for $1.5 million.
• Christina Quarles’s Push’m Lil’ Daisies, Make’m Come Up (2020) for $1.35 million.
• Avery Singer’s Untitled (2025) for $575,000.
• Rashid Johnson’s Soul Portray “Comic” (2024) for $550,000.
• Zhang Enli’s Jeweler (2021) for $475,000.
• Jeffrey Gibson’s Your spirit whispering in my ear (2025) for $400,000.
• Mark Bradford’s Untitled (2007) for $300,000.
• Angel Otero’s Dream Rider (2025) for $285,000.
• Nicole Eisenman’s Life’s Path (2020–24) for $275,000.
• Lee Bul’s Untitled (Anagram Leather-based #11 T.O. T.) (2003/2018) for $275,000 and Perdu CCIX (2025) for $260,000.
• Catherine Goodman’s Night Love (2024) for $175,000.
• Thomas J Worth’s Sonic Work (Inside Panorama 1) (2025) for £135,000 ($174,000).
• Michaela Yearwood-Dan’s Kiss Me Goodbye (Don’t overlook) (2025) for $110,000.
• Allison Katz’s Nightcap (Hitchcock) (2025) for $110,000.
• UMAN’s Pinky #4 (2024) for $100,000.
• Flora Yukhnovich’s Fête galante V (2024) for £75,000 ($97,000).

White Dice’s reported gross sales had been led by Georg Baselitz’s Hannoversche Treue (2010), which bought for €1.75 million ($1.83 million). Different reported gross sales included:

• Damien Hirst’s Inperturbatus (2023) for $850,000.
• Georg Baselitz’s Mano (2019) for €650,000 ($703,000).
• Tracey Emin’s There was a lot extra of me (2019) for £520,000 ($672,000) and Intercourse and Solitude (2025) for £85,000 ($109,900).
• Antony Gormley’s OPEN GUT (2023) for £500,000 ($646,000) and HOIST II (2019) for £500,000 ($646,000).
• Shao Fan’s Rabbit 1624 (2024) for $130,000.
• Zhou Li’s 2025 Metamorphosis No.1 (2025) for $50,000 and Panorama of nowhere: Water and Dream (2022) for $42,000.
• Howardena Pindell’s Untitled (2024) for $325,000.
• Mona Hatoum’s Projection (abaca) (2006) for £55,000 ($71,100).
• Enrico David’s Examine for a Bust I (2024) for $55,000.
• Marguerite Humeau’s Life in a Pile of Compost IV (2024) for £40,000 ($51,700) and On the Conciliabule of Respiratory Mounds I (2025) for £40,000 ($51,700).
• Theaster Gates’s Civil Coloration Examine with Crimson Hose, Variation 3 (2013) for an undisclosed quantity.

The highest sale reported by Thaddaeus Ropac was Roy Lichtenstein’s Water Lily Pond with Reflections (1992), which bought for $1.5 million. Different reported gross sales included:

• Georg Baselitz’s Luise, Lilo, Franz und Johannes (2010) for €1.2 million ($1.29 million).
• Alex Katz’s Ada by the Sea (1999) for $900,000, Examine for From the Bridge 6 (2021) for $110,000, From the Bridge 4 (2021) for $90,000, and Dancer 3 (2019) for $18,000.
• Daniel Richter’s Assault on Planet Hybris (2024) for €420,000 ($454,420).
• Lee Bul’s Perdu CXI (2021) for €190,000 ($205,570).
• Robert Rauschenberg’s Authentic paintings for First Worldwide Pageant of Asian Movie (1989) for $200,000.
• Hans Josephsohn’s Untitled (Ruth) (1976) for CHF 180,000 ($204,051) and Untitled (1971) for CHF 70,000 ($79,353).
• Tom Sachs’s Marie-Therese au Beret Rouge et au Col en Fourrure (2025) for $160,000.
• Miquel Barceló’s COQUILLAGES ETC… (2024) for €130,000 ($140,653).
• Oliver Beer’s Resonance Portray (Good Day) (2025) for £55,000 ($71,159).

Perrotin’s reported gross sales had been led by Takashi Marukami’s Tan Tan Bo: Wormhole (2025), which bought for $1.35 million. Different reported gross sales included:

• A piece by Ali Banisadr for $350,000.
• A sequence of works by Lynn Chadwick, every bought for a worth within the vary of £40,000–£220,000 ($51,700–$284,600).
• A piece by Izumi Kato for $185,000.
• A piece by Emma Webster for $120,000.
• A piece by Rao Fu for €95,000 ($102,700).

Tempo Gallery’s gross sales had been led by a portray by Lee Ufan, which bought for $1.1 million on the ultimate day of the honest. The gallery additionally bought Ufan’s With Winds (1991) for $950,000. Different reported gross sales included:

• Loie Hollowell’s Alizarin crimson and cadmium orange/pink and white mind (2025) for $450,000.
• Joel Shapiro’s Untitled (2023) for $200,000.
• Kenneth Noland’s Untitled (1978) for $175,000.
• Yin Xiuzhen’s Wall Instrument No. 28 (2019–21) for $110,000.
• Alejandro Piñeiro Bello’s Rumor Inside (2025) for $85,000.
• Alicja Kwade’s Little Be-Disguise (2024) and Little Triple Be-Disguise (2023) for €68,000 ($73,570) apiece.
• Mika Tajima’s Artwork d’Ameublement (Moto Ku) (2025) for $60,000.
• Kenjiro Okazaki’s Your soul creeps into mine, identical to a worm in a recent apple, nibbling deeper because it goes. Do preserve the stunning peel intact although – such a reasonably sight, no? Somebody taught me to drink chocolate like this now. It’s my drugs. Carrying the patterns he like, ready to listen to I’m cute. Not jealous. (2023) for $55,000.
• Kohei Nawa’s PixCell-Shoe#14 (L) (2024) for $55,000.
• Li Hei Di’s The monstrosity lies between us (2025) for $50,000.

Galerie Lelong & Co. bought a piece by David Hockney for €750,000 ($811,460), in addition to a piece by Jaume Plensa for €470,000 ($508,000).

Xavier Hufkens’s gross sales had been led by a ⁠Milton Avery portray, which bought for $800,000. Different reported gross sales included:

• A ⁠Nicolas Get together portray for “roughly” $500,000.
• Two works on paper by Louise Bourgeois for costs throughout the vary of $175,000–$350,000 apiece.
• A piece by Giorgio Griffa for €150,000 ($162,292).
• A sculpture by Mark Manders for €135,000 ($146,000). ⁠
• Two work by Ulala Imai for costs starting from $40,000 to $110,000 apiece.⁠
• Two sculptures by Tracey Emin for £75,000 ($97,000) apiece. ⁠
• A Matt Connors portray for $48,000.
• A portray by ⁠Sayre Gomez for $40,000.
• A portray by Nathanaëlle Herbelin for €22,000 ($23,800).

David Kordansky Gallery’s reported gross sales had been led by Jonas Wooden’s Poppies 1, Poppies 3, Poppies 4 (2024), which bought for $650,000. Different reported gross sales included:

• Shara Hughes’s Do not Get It Twisted (2023) for a worth within the vary of $450,000–$500,000.
• Huma Bhabha’s Brownfinger (2025) for a worth within the vary of $250,000–$300,000.
• Joel Mesler’s Untitled (Us) (2025) for $125,000.
• Hilary Pecis’s Wanting East (2025) for $125,000.
• Lucy Bull’s 20:35 (2025) for a worth within the vary of $70,000–$120,000.
• Lesley Vance’s Untitled (2025) for $110,000.
• Maia Cruz Palileo’s The Spell of Solitude (2025) for $80,000.
• Guan Xiao’s Spring Tides, Wild Grass, A Longing Ready to Bloom (2024) for $50,000.
• Ivan Morley’s Tragegedy, [sic] (2023) for $40,000.
• Sam McKinniss’s Frequent Loon (2024) for $45,000.
• Tristan Unrau’s Oxbow (2025) and Revelation (2025) for $25,000 apiece.
• Torbjørn Rødland’s Soiled Toes (2023) for $16,000.
• Simphiwe Mbunyuza’s UTSHEVULANE (2024) for $12,000.

Seoul’s Kukje Gallery reported Park Search engine optimization-Bo’s Écriture No. 040516 (2004), which bought for a worth within the vary of $540,000–$648,000, as its prime sale. Different reported gross sales included:

• Ha Chong-Hyun’s Conjunction 22-03 (2022) for a worth within the vary of $390,000–$468,000.
• Lee Seung-Jio’s Nucleus 89-40 (1989) for a worth within the vary of $100,000–$120,000.
• Kyungah Ham’s Phantom and A Map / poetry 01WBS01V2 (2018–24) for a worth within the vary of $83,000–$99,600. The gallery additionally bought two further works by the artist for costs within the vary of $40,000–$48,600 and $35,000–$42,600, respectively.
• Kibong Rhee’s Noneplace landmark (2025), Empty code 0 (2025), and TBC (2025), all for costs within the vary of $80,000–$96,000 every.
• Kim Yun Shin’s Waves of Pleasure 2024–26 (2024) for a worth within the vary of $70,000–$84,000 and Add Two Add One, Divide Two Divide One 2015–34 (2015) for a worth within the vary of $30,000–$36,000. The gallery additionally bought 5 works with costs throughout the vary of $15,000–$24,000 apiece.
• Candida Höfer’s Actual Gabinete Português de Lieitura Rio de Janiero III (2005) for a worth within the vary of €64,900–€77,880 ($70,200–$84,200).
• Two items by Jae-Eun Choi, every titled When We First Met (2024), bought for costs within the vary of $50,000–$60,000 apiece.
• Louise Bourgeois’s Eyes (2004) for a worth within the vary of $48,000–$57,600 and Pink Days (BOUR-13017) (2008) for a worth within the vary of $22,000–$26,400.
• Julian Opie’s Dance 5 determine 1 step 1. (2022) for a worth within the vary of £45,000–£54,000 ($58,200–$69,800).
• Korakrit Arunanondchai’s Earlier than (2023) for a worth within the vary of $35,000–$42,000.
• Jean-Michel Othoniel’s Amant suspendu rouge et rose (2025) for an €35,000–€42,000 ($37,800–$45,500).
• Haegue Yang’s Staring Floral-Branchia Soul Aid – Mesmerizing Mesh #275 (2025) for a worth within the vary of €31,000–€37,200 ($33,500–$40,200).
• Lee Kwang-Ho’s Untitled 4518-1 (2024) for a worth within the vary of $28,000–$33,600, Untitled 4518-2 (2024) for a worth within the vary of $19,000–$22,800, and Untitled 4819-10 (2023) for a worth within the vary of $11,000–$13,200.
• SUPERFLEX’s 9 Flies Staring At Every Different (2024) for a worth within the vary of €20,000–€24,000 ($21,600–$25,960).

MASSIMODECARLO’s reported gross sales had been led by Jennifer Guidi’s Looking for Pleasure (Painted Universe Mandala SF #4E, White Yellow Orange Pink Gradient, Pure Floor (2021), which bought for a worth within the vary of $500,000–$600,000. Different reported gross sales included:

• Carla Accardi’s Incontro di labirinti (1956) for a worth within the vary of €200,000–€250,000 ($216,000–$270,000).
• Mimmo Paladino’s Adagio (2023) for a worth within the vary of €200,000–€250,000 ($216,390–$270,480) and Aurea Aetas 4 (2024) for a worth within the vary of €50,000–€80,000 ($54,090–$86,550).
• Jamian Juliano-Villani’s Mom and Little one (Particular Supply) (2024) for a worth within the vary of $100,000–$120,000.
• Dominique Fung’s Tang Horse (2025) for a worth within the vary of $80,000–$100,000.
• Lenz Geerk’s Lady with Seagull (2025) for a worth within the vary of €40,000–€60,000 ($43,270–$64,910).
• Bodu Yang’s Mirkwood 2;46 (2025) for a worth within the vary of $35,000–$40,000.
• Yeesookyung’s Translated Vase 2020 TVG 14 (2020) for a worth within the vary of $20,000–$40,000.
• Xue Ruozhe’s 一棒水A Handful of Water (2025) and 位移 x2 Shift+Shift (2025) for costs within the vary of $20,000–$30,000 apiece.
• Hejum Bä’s Haptic Circuitry II (2024–25) and Iris (The Login Sentience lI) (2024–25) for costs within the vary of €20,000–€30,000 ($21,600–$32,450) apiece, and Exit Il (2024–25) for a worth within the vary of $15,000–$20,000.

Kasmin’s reported gross sales had been led by Ali Banisadr’s Omen (2025), which bought for $475,000. Different reported gross sales from the gallery included:

• Mark Ryden’s The Sentinel #177 (2024) for $275,000.
• Bosco Sodi’s Untitled (2024) for $82,000 and one other work for $18,000.
• Alexis Ralaivao’s La lettre anonyme (2024) for $48,000.
• Theodora Allen’s Taking pictures Star VI (Oak) (2025) for $48,000.
• Lyn Liu’s E book eater (2025) for $24,000 and Acupuncture (2025) for $10,000.
• Sara Anstis’s Hill (2024) for $15,000.

Tina Kim Gallery’s gross sales had been led by Pacita Abad’s Via the Wanting Glass (1996), which bought for $500,000 to a museum in Southeast Asia. This work was a part of the gallery’s presentation in Encounters, a piece of the honest devoted to large-scale installations. The gallery’s second-most-expensive reported sale was for Abad’s The Far Aspect of Apo Island (1989), which bought for a worth within the vary of $250,000–$500,000. Different reported gross sales included:

• Ha Chong-Hyun’s Conjunction 19-89 (2019) for a worth within the vary of $100,000–$250,000.
• Pacita Abad’s Twenty-five meters down on Layag-Layag Reef (1986) for a worth within the vary of $100,000–$250,000.
• Lee ShinJa’s Becoming a member of (1981) for $200,000 and Spirit of Mountain (1996) for a worth within the vary of $50,000–$100,000.
• Suki Seokyeong Kang’s Day #23-27 (2021–23) for a worth within the vary of $25,000–$50,000.
• Maia Ruth Lee’s B.B. Lattice 1-3 (2025) for a worth within the vary of $10,000–$25,000.

Lehmann Maupin’s gross sales had been led by a piece by Cecilia Vicuña that bought for a worth within the vary of $350,000–$450,000. The gallery additionally bought a piece by David Salle for $120,000, together with a piece by Anna Park—whom the gallery introduced illustration of this week—for a worth within the vary of $40,000–$50,000.

Galleria Continua’s reported gross sales had been led by two works from Michelangelo Pistoletto’s “Coloration and Gentle” sequence, every promoting for €320,000 ($346,000). Different reported gross sales from the gallery included:

• Yoan Capote’s Purificación (ingravidar) (2024) for $130,000 and Isla (Omaggio) (2024) for $90,000.
• Loris Cecchini’s Aeolian landforms (Etep) (2024) for $80,000.
• Hans Op De Beeck’s Zhai-Liza (mom’s sneakers) (2024) for $70,000.

Berry Campbell Gallery’s gross sales had been led by Lynne Drexler’s Grass Fugue (1966), which bought for $750,000. The gallery additionally bought Drexler’s Bubbled Pink (1973) for $300,000. Different reported gross sales included:

• Yvonne Thomas’s Squares (1965) for $175,000.
• Alice Baber’s Yellow Croquet Third Wicket (1961) for $95,000, and Return (1962) for $55,000.
• Elizabeth Osborne’s Lily Pond 3 (1998) for $62,000 and Earlier than the Storm (1997–98) for $38,000.
• Janice Biala’s Les Deux Jeunes Filles (1951) for $32,000.

Mazzoleni’s reported gross sales had been led by Salvo’s La Valle (2002), which bought for $300,000. The gallery additionally bought two extra work by the artist: Sant’Anna (2008) and Primavera (2006) for $100,000 and $75,000, respectively.

Almine Rech’s reported gross sales had been led by a Javier Calleja portray, which bought for a worth within the vary of €250,000–€270,000 ($270,488–$292,127). Different reported gross sales included:

• A drawing by Tom Wesselmann for a worth within the vary of $180,000–$200,000.
• Two work by Mehdi Ghadyanloo for a worth within the vary of €80,000–€160,000 ($86,560–$173,110).
• Two work by Oliver Beer for a worth within the vary of £65,000–£70,000 ($84,000–$90,500).
• A portray by Minjung Kim for a worth within the vary of €60,000–€70,000 ($43,270–$75,730).
• A portray by Youngju Joung for a worth within the vary of $50,000–$60,000.

Timothy Taylor’s reported gross sales had been led by Annie Morris’s Stack 8, Cobalt Turquoise Darkish (2024), which bought for £170,000 ($219,800). Different reported gross sales included:

• Hilary Pecis’s Two Vases (2025) for $125,000.
• Daniel Crews-Chubb’s Immortal XXXV (magenta) (2025) for $95,000, Examine of a Determine VII (Immortals) (2024) for $16,000, and Examine of a Determine IV (Immortals) (2024) for $12,000.
• Antonia Showering’s Summoning (2023) for £95,000 ($122,911).
• Hayal Pozanti’s The Gate to All Mysteries (2025) for $75,000.
• Paul Anthony Smith’s Goals Deferred #86 (Marcus Garvey) (2025) for $35,000.

San Francisco seller Jessica Silverman’s reported gross sales had been led by Clare Rojas’s Sundown (2025), which bought for $110,000. Different gross sales reported by the gallery included:

• A 2025 portray by Hayal Pozanti for $75,000.
• Masako Miki’s Moon Deity Illuminates the Universe (2025) for $45,000 and Benevolent Observer (2025) for $22,000.
• Rupy C. Tut’s On the Fringe of Awake (2025) and Woke up (2025) for $40,000 apiece.
• Two 2025 paper clay works by Pae White for $25,000 apiece.
• Two bronze sculptures by Atsushi Kaga for $24,000 apiece, in addition to a piece on paper and a mixed-media work on paper for $16,000 and $8,000, respectively.
• Chelsea Ryoko Wong’s After the Storm (2025) for $22,000.
• Davina Semo’s In Contact (2024) for $18,000.
• A 2025 portray by Emma Cousin for $18,000.

Seoul’s Hakgojae Gallery reported gross sales had been led by Jiang Heng’s Sick Like a Limpet (2017), which bought for $109,500. Different reported gross sales included:

• Tune Hyun-sook’s 8 Brushstrokes (2007) for €66,000 ($71,400).
• Joung Younger-Ju’s Excessive Hills Village 203 (2024) for $63,000 and Evenings 122 (2025) for $44,500.
• Jiang Heng’s I Noticed My Shadow In The Darkish (2018) for $49,500.
• Seven works by Yun Suknam for $5,000 apiece.

BLUM’s gross sales had been led by Yinkori Yanagi’s Examine for Japanese Artwork – Hokusai (2019–21), which bought for $90,000. Different gross sales reported included:

• Robert Colescott’s JOSEPHINE B. and a STEPPING BLONDE (1969) for $60,000.
• Asuka Anastacia Ogawa’s Moon water (2025) for $55,000.
• Christopher Hartmann’s Heaven can wait (2025) for $55,000.
• Patrick Eugène’s The Peaceable Pair (2024) for $38,000.
• Hadi Falapishi’s Cowboy and the First Snail (2024) for $34,000.
• Kaifan Wang’s The Triumph of Hercules (2025) for $32,000.
• March Avery’s White Irises (1990) for $23,000.
• Three untitled works by Kazunori Hamana for $20,000 apiece.
• Yuji Ueda’s Untitled (2024) for $18,000.
• Zhu Jinshi’s Thick Portray Stratagem (2022) for $14,500.
• Thornton Dial’s Getting Down Low (1993) for $12,000.
• Kenjiro Okazaki’s Dyed Yellow Sleeveless Haori/甘美的雨露 /Candyman Dohei (2024) for $12,000.

Beijing’s Ink Studio reported gross sales that had been led by Bingyi’s The Palatial Gardens and Flowers (2021–23), which bought for $75,000. Different reported gross sales included:

• Ren Gentle Pan’s Sleep Portray – 01.30.22, NY (2022) for $30,000 and Untitled (purple costume) (2024) for $13,000.
• Tseng Chien-ying’s Aftersun (2023) for $21,500.
• Kang Chunhui’s Sumeru No. 6 (2022) for $13,000 and Sumeru No.56 9 (2025) for $10,000.
• Xu Bing’s E book from the Sky, Printed Sheet No. 2 (1987–90) for $9,000.
• Chen Haiyan’s The Eye (1986) for $600.

Sprüth Magers’s reported gross sales had been led by Hyun-Sook Tune’s 6 Brushstrokes over 1 Brushtroke (2025) and 9 Brushstroke I (2023), which bought for €65,000 ($70,326) apiece. The gallery additionally bought two works by Mire Lee, together with Open wound: Pores and skin sculpture studio prototype #7 (2024) and Open wound: Floor with many holes #3 (2024) for €45,000 ($48,680) and €30,000 ($32,450), respectively.

Anat Ebgi, one among Artsy’s greatest cubicles from the honest, reported gross sales led by a portray by Jenny Morgan, which bought for $55,000. Different reported gross sales included:

• 4 work by Alec Egan, every within the worth vary of $25,000–$40,000.
• Sarah Lee’s The place Two Nights Meet (2025) for $35,000.
• Two work by Ming Ying for $32,000 apiece.
• Meeson Pae’s Pulse (2025) and Drift (2025) for costs within the vary of $20,000–$34,000 apiece.
• Caleb Hahne Quintana’s Secrets and techniques of the Drowsing Tree (2025) and An Elegy for Misplaced Kids (2025) for costs within the vary of $26,000–$34,000 apiece.
• Gideon Rubin’s Black Kimono (2024) for $30,000.
• Two work by Marc Dennis for $28,000 apiece.

Mai 36 Galerie bought Magnus Plessen’s Doppelportrait Sarah und ich (blau) (2024) for $45,000. Different reported gross sales included:

Vadehra Artwork Gallery’s gross sales had been led by Praneet Soi’s Falling Determine (2024–25), which bought for $30,000. Different gross sales reported by the gallery included:

• Zaam Arif’s The place does the sunshine fall (2025) for $25,000 and The Gentle Falls Away (2025) for a worth within the vary of $10,000–$20,000.
• Astha Butail’s A Transcendent Scheme (2025) for a worth within the vary of $10,000–$20,000.
• Gauri Gill’s Untitled (68) from the sequence Acts of Look (2015–current) for a worth within the vary of $10,000–$20,000.